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Judges Comment On The Selected Competitors For Semi-Final Round |
| Sl.No |
Participant's Name |
Video Name |
Category |
Comments by Sri Neyveli Santhanagopalan |
Comments by Sri Maharajpuram Srinivasan |
1 |
Sri Sanvitha Sridhar |
Thelisi |
JuniorsII |
The lakshana of poornachandrikha should be understood better. |
A relaxed version and a solo rendition would have helped the judgement. The team effort gives an edge to the singing She qualifies on borrowed plumes. |
2 |
Vasanth(devi ganesh) |
Rara Venu |
Juniors |
Lag between thala and song felt. A brisker rendition would be appreciated. |
Thalam needs propping up. |
3 |
Apoorva(Harinivallabh) |
Abhogi |
Juniors |
Good voice. In the initial avarohanam singing , gandharam sounds like hindusthani. |
Can do better with understanding the raga and scales properly. |
4 |
Sreya |
Rara Venu |
Sub Juniors |
Proper gamakams , if introduced will enhance the level of performance. |
Has to concentrate on gamakas and asaivu. |
5 |
Sasank Sridhar |
Hamsadhwani Varnam |
Juniors |
An open throated singing would help him present better. Can improve on pronunciation (jalaJA) |
Good attempt of varnam. |
6 |
Nivetha Chandrasekhar |
Vachamagochara |
SeniorsII |
Good attempt. Excessive gamakas should be avoided. |
Shows promise and maturity. But careful singing only will open the gates of prizes. |
7 |
Lakshmi |
Bhagya Madhyamavathi |
Juniors |
A more classical item would have been welcome. Otherwise shruthi shuddham and laya kattu are present. |
thalam and sruthi are prize winning assets. Should choose a classical item. |
8 |
Janani Hari |
Seethamma Mayamma |
Seniors |
Has to concentrate on open throated singing. Nasal tone should be moderated. Should try to understand the composers' mindset while rendering the kriti. |
Good rendering of the krithi. Has a fine sense of sruthi. |
9 |
Tharun |
Abhogi Varnam |
Juniors |
A good, shruthi aligned voice. Has got innate bhava. These fundamental gifts, if properly honed,will take him to a good level. |
good singing earns him W.L position. CAN WAIT. |
10 |
Sinduja |
Swarajathi - Bilahari |
Sub Juniors |
A pleasant ,shruthi aligned voice. Should learn gamaka-laden singing. |
Good voice plus pleasant singing. |
11 |
Malavi Ravindran |
Kalyani Varnam |
JuniorsII |
Good understanding of the structure of the varnam. Has to take it further along these lines. |
Good attempt of Varnam. The easy flow of voice can be capitalized further. |
12 |
Maya Ravindran |
Kalyani Ragam Only |
JuniorsII |
Has got a facile voice.the original, conventional svarupa of kalyani should be leant before trying out raga alapana. |
The candidate has a good voice. But it is wrongly exploited on fast passages without proper seating on the Swaras and hurried brigas are like the falling of dry leaves from a tree. A slow, relaxed version on Jeeva Swaras can make a logical build up ending in swift brigas,( which she is capable of and quite talented) will help in the long run.Though the raga and Krithi are in different ragas, counting on overall ability. |
13 |
sahanashankar |
Violin Mohanam Dayarani |
JuniorsII |
Has a good tonal quality and raga bhava is adequate. Practising with metronome will improve her laya command. |
Mohanam is well attempted. Good laya exercises can fine tune the playing leading to perfection. |
14 |
Sruthi satish |
Sambasivaya |
Juniors |
Has a bright and powerful voice. If given music-conducive atmosphere , she will bloom into a good performer. |
Voice is a plus factor with good sruthi sense. |
15 |
Sneha padmanabhan |
Sambasivaya |
Sub Juniors |
Has to imporve her thalam sense,singign with the metronome should help. Voice is naturally aligned towards shruthi. Diction is perfect. Should avoid flat phrases (eg. The first line is too flat everytime.) |
WELL ALIGNED SRUTHI. Can reach high with good learning. |
16 |
SaiPadma |
Sambasivaya |
Sub Juniors |
Has a steady and sturdy voice with inbuilt harmonics. A few places sound plain/ falt. Should also concentrate on pronunciation(eg:neeve is sang as nivve). Should be appreciated for command over thalam. |
Good voice. Can proceed straight to krithi instead of Swaras for a competition. |
17 |
Aparajitha |
Podaganti Mayya |
Juniors II |
Has a very good voice and a good presentation. Has to concentrate on grasping the raga lakshana which can be achieved by either learning many songs in the raga or by listening more. |
To be watchful not to suggest showing up of alien Swaras |
18 |
sahanaprasanna |
Sankarabaranam Varnam |
Sub Juniors |
Has a very good voice and bhavam.good alignment with shruthi. Tends to make technical mistakes, eg: anuswarams in wrong places, that chnages the raga lakshanam itself. Should also concentrate on pronunciation. Over all great potential. |
Bold singing. Honest voice Good effort. Glamourous singing should not lead to grammar less singing |
19 |
sriranjani |
Shyama Dhanyasi |
Juniors |
Has good bhavam, grasp of ragam and depth in her music.should aim at perfection and clarity in upper octaves through continued yoga and kriyas. |
Good Bhavam and Gnanam. Voice has to be tamed with good voice culture, Can attempt akara passages in Varnam |
20 |
Shilpa Sadagopan |
Ammaravamma Kalyani |
seniors |
Has a good command over the talam and shruthi. Good to see she is relishing what she is singing . But has to show improvement in voice culture. Has to concentrate on open throated singing, and also clarity of brigas. |
Good Thalam and Shruthi sense. Can improve with better, strict application to basics. |
